Move the Camera
Another way that the audience picks up on the directors message is what the camera sees and how the camera moves. Static camera shots, slow pans, gentle dolly moves, and frantic handheld pushes will all imbue the subject matter with a specific mood.
Move the Camera
Years of watching television have taught your viewers all of these conventions, so make sure that you aren’t giving them mixed signals with your production design.
When in doubt, keep the camera moves to a minimum so what is being filmed is the main attraction. Slow and gentle camera moves add visual interest and, depending on set design, can add production value without being distracting. A fluid tripod head that is balanced to your camera will be the most versatile piece of grip equipment you can use.
Mic and Mix Carefully
What is heard can be more important that what is seen. Experiment with lavalier mics to find the best and most rustle-free location on speakers. Shotgun mics should be pointed at the mouth of the speaker, but be mindful of what is behind the speaker that is also being picked up. In post-production, use EQ and gentle application of a multi-band compressor to enhance the clarity of speech. Use background music sparingly, and either choose music that leaves room for the human voice, or EQ the midtones down so that the vocal track isn’t competing with instruments that are playing in the same frequencies.
For more filmmaking tips and information about the Christian Filmmakers Academy sponsored by the San Antonio Independent Christian Film Festival visit www.saicff.org.
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